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Nov 7
What the Writers' Strike is Really About

The strike by the Writers Guild of America has generated a lot of talk around the media world, including the Internet. And speaking of the Internet, that's what the strike is all about.

Some people are saying the strike will determine the future of the union, but, as I mentioned here, this isn't really about survival, as far as the working writers go, they already have extraordinary pay and benefits.

Other than the external issue of the Internet, the real issue is if this union is really needed at all. My thought is that is isn't.

The good, high quality writers will always get their due, and good upcoming writers need the freedom to be able to break into the industry without having the union albatross hung around their knecks.

Whether there's a writers union or not will have no impact on the industry or writers; that's what they need to learn. Writers are needed, that's known. What also needs to be known is the industry overall would benefit, as well as the writers, from an open, and free market where everybody can compete. That will only strengthen the product they offer.

What%20the%20writers%20strike%20is%20really%20about.jpg

What is really happening here is the growing irrelevancy of unions in general. When you look at the so-called Internet issue, there's really not much there, as studios are still largely in the experimental stage, and there's nothing to show what will or will not work yet.

Sure you have the downloaded shows that people watch on their computers, but that is still in its infancy, and isn't proven in any way how much revenue it will generate. If this was really about the Internet, waiting another three years to strike would have made much more sense, as it would give a better picture and numbers so there could be real data to work from. That doesn't exist at this time.

So while everyone is going to say this is a battle for Internet revenue, it's really a battle over the growing irrelevancy of unions, and a move to try to make it look strong.

With active writers making about $200,000 a year and getting great benefits, this is far from a money issue or getting a bigger piece of the pie. It's the anemic union leadership trying to flex their muscles to show they're still strong and have a purpose. Whether they win or lose this particular battle, this union is already being seen as weak.

So with these writers already getting for more money, benefits and revenue, they should quietly disband this union and recognize the new world we've been living in for the last 20 years.

Don't be fooled, none of this is about money, the writers are already in high income brackets, it's about the attempt to make a weak union strong. In the end it won't work, we already know they are no longer wanted or needed in the modern work place.


13 Comments/Trackbacks




If the union was weak or weakening there would not have been enough votes for a strike. It's about being proactive with regards to potential new revenue. A royalty or residual can be agreed upon, to be paid only if Internet/digital revenues grow and/or exceed specific amount(s).

If the union was weak or weakening there would not have been enough votes for a strike. It's about being proactive with regards to potential new revenue. A royalty or residual can be agreed upon, to be paid only if Internet/digital revenues grow and/or exceed specific amount(s).

I cannot believe this writer pretends to know anything about entertainment. The Writers Guild has the longest and strongest position as a craft guild in the entertainment business and has had that position for most of the 20th and 21st centuries. The writer must be living in Reagan/Thatcher world to believe this is about union strength. It is about vertical consolidation of capital and the greed of the big companies who control distribution. They are making record profits THIS YEAR and because of the triple witching of DGA and SAG contracts expiring, now is the best time to strike. Talent has been getting screwed for the last ten years as VHS (and now DVD) money has not been shared equitably. The studio's are making MILLIONS on internet downloads right now--why not share some pennies with the content creators? That is what the strike is about. DUH!

Not a very insightful view of the industry. To pick out a single point: the number of 200k as a yearly wage is misleading. The Guild covers health care and pension, which applies to all Guild members and not just those currently employed -- and not all Guild members are employed, in fact a fair proportion are working "on spec" at any given time.

The writers got screwed on VHS and DVD 20 years ago (0.3%), and should be rewarded for their creative output in the same way musicians and authors get royalties. I buy a book, the author gets a cut of my money. I buy something on iTunes and the writers get nothing? That is not okay by me.

Did you know that 62% of the writers in the WGA are unemployed in any given year? Not only unemployed, but also fail to meet the minimum wage requirement to qualify for health insurance. (That minimum is a measly $30,000 per year, by the way.) Yes, there are some Aaron Sorkin's out there. But the majority of writers in the Guild earn no more than your average, public school teacher. Writers, like countless other Americans, struggle to pay their mortgages (if they can even afford a house in LA), and worry about health insurance. Shame on you for publishing such inflammatory, inaccurate remarks.

Yet again, you have managed to remind me why I retitled your RSS feed "Biz of ShowBiz - Gary Bourgeault is a dittohead f***face" in my feedreader several months ago. Don't ever change, you human shaped piece of crap.

This is wrong. Dead wrong. You have no idea what you are talking about. Wait three years to talk about the internet? Do you know what happened in 88? The time is now, and the fact that this is all about the internet/new media proves how strong this union is.

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Ahh, yes, I remember well the first day as a young writer I felt the albatross of the Guild slip around my neck. My first thought was "Ah, a living wage!" quickly followed by "Hey, health care!" and years later, during arbitration which prevented a producer from stealing my credt on a huge movie, thought "This albatross has prevented me from engaging in decades of costly litigation against a much more powerful opponent!"

Stupid albatross.

Let's assume your highly suspect figure of the writers making $200k is correct for a moment. You're saying that it should be okay for them to be satisfied making that and go about their business, despite that the huge corporations they sell their ideas to will continue to make money off of these ideas indefinitely, on the order of millions in some cases?

I'm sorry, but I fail to see how in an era of massive media consolidation it makes sense for unions to go away--I should think it's in their interests to try to trend the other direction so as not to get screwed over by the likes of GE, Viacom, Newscorp., etc.

Your lips are a funny color from all that Kool-Aid, friend.

Seriously, you have no clue.

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Oh good. Yet another person who doesn't understand the difference between the mean and the median. Most writers don't get paid $200,000 - a few get paid much, much, much more, while most get paid far less. So while the mean compensation might be $200,000, that number is really irrelevant to the debate.

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